"The Greek Slave", Hiram Powers, 1844

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In its day, "The Greek Slave" was one of the most famous Orientalist works of art in the world. In 1847-48 it was taken on a tour of North America and in 1851 had pride of place in the United States' contribution to the Great Exhibition in London.

Miner Kellogg, who managed the American tour, said this of the statue: "The ostensible subject is merely a Grecian maiden, made captive by the Turks and exposed at Constantinople, for sale. The cross and locket, visible amid the drapery, indicate that she is a Christian, and beloved. But this simple phrase by no means completes the meaning of the statue. It represents a being superior to suffering, and raised above degradation, by inward purity and force of character. Thus the Greek Slave is an emblem of the trial to which all humanity is subject, and may be regarded as a type of resignation, uncompromising virtue, or sublime patience."

However, a significant body of opinion considers this was just a self-serving pretext, designed to placate middle-class American society into accepting such a provocative image.

Virgina University and Assumption College both have excellent pages about "The Greek Slave" and its place in mid-nineteenth century culture.

Last modified 25 Oct 05, 2:11 PM by Tanos